“Had MC Escher made music instead of drawing impossible and perplexing perspectives, it would sound like Sonar” is how writer Sid Smith once assessed the Swiss-based band’s work.
It remains an apt description for the outfit’s method of creating hypnotic pieces by gradually building intricate patterns of picked notes, plucked harmonics, mesmeric bass, and insistent rhythms.
The music created by Stephan Thelen (tritone guitar), Bernard Wagner (tritone guitar), Christian Kuntner (tritone bass), Manuel Pasquinelli (drums, percussion) harnesses elements of rock, jazz and contemporary classical minimalism and fuses them to create a distinctive musical language.
Their partnership with David Torn began with their 2018 release, Vortex. Initially brought in as producer, such was Torn’s enthusiasm for the quartet’s music he couldn’t help but add his flowing brand of effusive, vivid soloing and textural layering across the breadth of the record.
While that was a spontaneous, off-the-cuff reaction to music that had been composed for a quartet, for Tranceportation the music has been specifically composed with Torn in mind from the very beginning.
Bringing a renowned and adventurous musicality to everything he does, Torn’s reputation as a ‘wild card’ instrumentalist has seen him work with an impressively wide array of diverse artists that includes David Bowie, Laurie Anderson, Bill Bruford, David Sylvian, Tori Amos, Mick Karn, Madonna, Jeff Beck and Jan Garbarek among others.
With parts written and arranged for a new quintet formation of Sonar there’s a greater integration of space for improvisation and deeper sonic exploration built into the music.
Sonar’s principal composer, Stephan Thelen, says of Torn, “David is somebody I have known all my life through his music and really admire his work. So to get him over to work with us in Switzerland first as a producer and then as a player was really exciting.”
Torn’s fluid improvisations over Sonar's tight clusters of sound added yet more depth to their work.
Recorded in Bellmund, Switzerland during a marathon five-day session that yielded over 80 minutes worth of material, they have chosen to release the first half of those sessions as Tranceportation Volume 1 in November 2019 with Volume 2 scheduled for release in May 2020.
Thelen, who in addition to his work for Sonar has previously been commissioned to write for the acclaimed Kronos Quartet, explains how the music of Tranceportation works. “The seven new pieces which make up the two volumes of Tranceportation are
all based on harmonically remarkably simple patterns that only consist of a few notes and that are, in one form or another, repeated throughout the whole piece, which is clearly where the ‘trance’ element comes in. However, using rhythmical techniques like isorhythms, polyrhythms and odd time signatures, these seemingly simple patterns actually subtly create complex rhythms and twisted sonic illusions.”
Likening this aspect of his work to the conceptual puzzles embedded within MC Escher’s paintings, Thelen explains that the repetitions don’t appear immediately obvious. “So, even if you only hear a few notes, it sometimes takes a very long time until the overall pattern is in fact repeated.”
While the conceptual and structural underpinning of Tranceportation’s music is vital, so too are the impassioned performances that resonate at the heart of the four tracks that make up Volume 1. Riding alongside the metronomic certainties of the sonic architecture, surges of dialogue and discursive ideas are vented and examined as the tension within the music builds and creative sparks fly.
At its heart, the compositions and performances on Tranceportation invites listeners to step away from the mundane and enter into the transformative space that Sonar and David Torn create. They say every journey begins with a step. This journey begins with your ears.
released November 29, 2019
David Torn electric guitar, live looping
Stephan Thelen tritone guitar
Bernhard Wagner tritone guitar
Christian Kuntner tritone bass
Manuel Pasquinelli drums, percussion
All compositions by Stephan Thelen with contributions by Bernhard Wagner, Christian Kuntner, Manuel Pasquinelli and David Torn.
Published by RareNoisePublishing (PRS)
Produced by Sonar with David Torn.
Recorded „live in the studio“ April 29 – May 3, 2019, at Mazzivesound Studio in Bellmund, Switzerland (www.mazzivesound.ch).
Engineer: Chris Diggelmann
Edited & Mixed by Stephan Thelen between May and July 2019.
Mastered by Serge Christen at Mazzivesound.
All tracks arranged by Sonar. Sonar’s guitar parts arranged by Stephan Thelen and Bernhard Wagner.
Artwork and Design by Ian Anderson for The Designers’ Republic
Executive Producer for RareNoiseRecords: Giacomo Bruzzo
David Torn appears courtesy of ECM Records.
Thanks to Sara and Serge Christen, Alexander Vatagin and Markus Reuter.
Thanks to Kanton Zürich Fachstelle Kultur for financial support.
supported by 79 fans who also own “Tranceportation Vol.1”
As a big fan of the first Fractal Guitar album I had to restrain myself not to buy it before Bandcamp Friday arrived. No-brainer for me (the more as Stephan Thelen now is part of the MoonJune family).
And to repeat myself: Music that is as abstract as accessible, a real treat!
Stephan, bei Teil 3 bin ich auch wieder dabei :-) Carsten Pieper
supported by 78 fans who also own “Tranceportation Vol.1”
This is an excellent album from Markus Reuter, accompanied by Fabio Trentini on Fretless Bass and Asaf Sirkis on acoustic drums recorded live in the studio. The interplay among these musicians is amazing throughout and, for me, this is true "progressive" music, as it charts new territory and leaves behind well-trodden cliches. It's challenging music that rewards a mindful listen. Put it on and listen through the whole album without modern social media distractions and you will see what I mean. Jerry F
supported by 76 fans who also own “Tranceportation Vol.1”
About 1/3 thru it so far, and already i agree that this is an important performance to release to the public. “Cusp” and “Larks 2” are worth the price of admission alone.
(Frustrated to learn of this October release in December, but i guess that just means i need to pay more attention to social media...?) cuzn ed